It's 1985, and Latvia is still under the Soviet occupation. Haralds Mednis, acclaimed Latvian choral conductor, is expelled from participating at the National Song and Dance festival, and a symbolic Latvian song "Gaismas pils" ("Castle of Light") is excluded from the programme of the festival. However, the choirs and the public shout out Haralds Mednis's name and try to get him to conduct "Gaismas pils", in spite of the censors. This film is an attempt to imagine what the people working for the state apparatus tasked with oppressing any rebellious actuons might have felt at that moment back in 1985.

The State Electrotechnical Factory's cultural palace, or vefiņš, was opened on March 1, 1960, and was allocated for the factory's needs. However, today science has been banished from these walls. Alongside the brightest local pop artists, countless feet and legs dressed in pastels tread the boards of this stage every year to determine which group will take center stage at the Daugava Stadium during the Song and Dance Festival. Meanwhile, the young, promising and provocative documentary filmmaker Ingmārs Somis has come here to make a film about the "other side" of folk dancing on stage - about nationalistic programming, worn-out feet, sunburn and blouses tucked into underpants. He has decided to expose the teachers, lecture the parents, liberate the dancers, destroy the VEF cultural palace, get hold of the Great Kristaps and enter the Latvian cultural canon.

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